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You are here: Home / Exhibition / “Art Inspired by Nature” 2026 Exhibition

“Art Inspired by Nature” 2026 Exhibition

By Renee Phillips Leave a Comment

Welcome to “Art Inspired by Nature”

More than 70 Artists from around the world!          September 15 – November 15, 2026


Please Visit the Artists’ Websites.
Contact the Artists Directly to Purchase their Art.


Message from Renee Phillips, Curator, Founder & Director of Manhattan Arts International and The Healing Power of ART & ARTISTS: I am honored and delighted to present this exhibition. For more than 20 years I have curated exhibitions on the theme of Nature throughout NYC and on our two websites. The purpose is to promote superior artists from around the world who create works of art that convey the many beautiful physical aspects of nature as well as its emotive, symbolic, and healing qualities. Our “Nature” exhibitions also raise awareness about the importance of our responsibility to celebrate, respect and protect our natural environment.

I hope you enjoy viewing this exhibition. Please take your time and savor every extraordinary work of art and slowly read every insightful and inspirational artist’s statement.


All Rights Reserved.
Do not reproduce any images without the artist’s permission.


Bren Sibilsky

Garden Friends, Clay For Bronze, 11H x 10W x 5D
Garden Friends, clay for bronze, 11″ x 10″ x 5″

My muse is nature. It feeds me creatively, physically and spiritually. My time with nature refuels me. It drives my artistic desire, creating visions inspired by the ultimate master artist, God. I enjoy the companions I meet there and spend time with birds, frogs, caterpillars, butterflies… and my cat likes to be the tour guide. I hope this nature connection is never lost for the future generations.  “Garden Friends” heals the mind, spirit and feeds the body. It is where heaven meets us.

Visit her website: brensculpture.com

Karen Johnston

Healing Path, acrylic, 24 "x 30"
Healing Path, acrylic, 24″ x 30″

Robert Frost wisely noted, “The best way out is always through.” I believe this holds true in both life and art. Moving directly through the center of our heaviest challenges presents its own reward and sense of accomplishment. My painting, ‘Healing Path’, is a light-hearted celebration of that very journey. Created with hope and influenced by nature, it honors the beautiful, fluid spaces that quietly lead us toward personal renewal and ultimate healing.

Visit her website: studiokarenjohnston.com

Nancy Reyner

Horizon, acrylic and silver leaf on panel, 40” x 60”
Horizon, acrylic and silver leaf on panel, 40” x 60”

This painting called Horizon, uses layers of acrylic and silver leaf on panel, worked and reworked until the surface held both movement and stillness. The water churns and catches light while the mountains sit quiet above it, dissolving into mist. I’m drawn to that edge between forming and breaking apart—how a shape holds together only for a moment before shifting into something else. The silver leaf lets the painting change with the light in the room.

Visit her website: nancyreyner.com

Nancy Calef

Nature's Stream, oil & found objects on canvas, 40" x 40"
Nature’s Stream, oil and found objects on canvas, 40″ x 40″

This painting was inspired by recognizing the impermanence of human life as the force of nature flows unimpeded through our circumstances and relationships.

Visit her website: nancycalefgallery.com

Poul S. Nielsen

Atmospheric Probabilities #3 (Azul) pastel on paper, 30” x 22”
Atmospheric Probabilities #3 (Azul) pastel on paper, 30” x 22”

My work titled “Atmospheric Probabilities” is an expressive response to and celebration of the extraordinary light and colour that I experience on a daily basis in my unique prairie environment. The exceptional colour of the indigenous Blackfoot has influenced me and recent trips to Peru with its vibrant colouration has resulted in intensified and saturated hues.

Visit his website: psnielsen.com

Patricia Garbarini

Dream Sanctuary, photography, available in different sizes
Dream Sanctuary, photography, available in different sizes

Nature renews my spirit. In my images, I love to transform the natural world into an ethereal place offering stillness and serenity. I often create composite images layering a natural setting together with a female figure to express how I feel when I go to nature to find peace and renewal. The settings become dreamlike sanctuaries.

Visit her website: patriciagarbariniphotography.com

Visit the Artists Websites

Rajul Shah

Ascent from Cobalt, acrylic on Linen, 35.4" x 47.2"
Ascent from Cobalt, acrylic on Linen, 35.4″ x 47.2″

My art presents the philosophy of Kintsugi supported with chakric symbolism. This work represents the spiritual energy I have experienced while enjoying the sunsets around Santa Fe, NM. The warm hues of the setting sun interacting with the coolness of the moonrise fusing with the Terracotta earth present a prism of purples and blues. I have traveled many places and seen many sunsets. Santa Fe is the only place I have “spiritually experienced” a sunset.

Visit her website: rajulshahart.com

Dr. Michael Durst

Fire Lion Fractal Impressionism, acrylic on canvas, 24" x 36"
Fire Lion Fractal Impressionism, acrylic on canvas, 24″ x 36″

“Fire Lion” emerged from my fascination with fractal flames — those living geometries of light. I envisioned the Lion of Judah reimagined through radiant, sacred fractals, each strand of fur transformed into glowing scripture. Iridescent, refractive paints catch the light like embers of revelation, making the lion feel both ancient and newly ignited. This artwork channels biblical symbolism, spiritual ferocity, and luminous wonder, inviting viewers into a moment of awe.

Visit his website: michaeldurstfineart.com

Tanis Bula

Rhodes in Shadow, watercolor, 18"x23"
Rhodes in Shadow, watercolor, 18″ x 23″

On vacation with my daughter we saw an incredible display of rhododendron. When I saw the light coming from behind the rhododendron flowers, I knew it would make a painting. The flowers in light contrasted with the flowers in shadow. The incredible array of blue and purple colors across the flowers were the colors that matched my paint palette. I could hardly wait to put the paint on paper.

Visit her website: tanisbula.com

Mark Levin

Ohio Sycamore Seed, White Ash, 60" tall x 23" x 18"
Ohio Sycamore Seed, white ash, 60″ x 23″ x 18″

The Ohio Sycamore Seed sculpture is inspired by one of nature’s most elegant inventions — the winged seed that spins through the air in search of new ground. Often called a helicopter seed, it has a simple form that achieves a remarkable balance of efficiency, movement, and beauty. I was drawn to the way the seed appears both delicate and purposeful, carried by wind yet precisely engineered by nature.

Visit his website: marklevin.com

Bob Crelin

Bob Crelin, Knapweed
Knapweed On The Rocks, acrylic on canvas, 36” x 48” x 1.5”

A “portrait” inspired by the striking florets of the Centaurea Stoebe (Knapweed), a wildflower in vivid tones of violet and fuchsia that graced my memories of midsummer countrysides. This work presents an intimate composition with visual depth, faithfully capturing the flower’s fascinating metamorphosis set against a pebbled river-rock landscape.

Bob has been inducted into our series of “World Changers”. Read the article about him.
Visit his website: bobcrelinart.com

Barbara Brown

Spider Web, oil on canvas, 12" x 16"
Spider Web, oil on canvas, 12″ x 16″

A contemplation of spiders brings us to the symbolism of their webs—to mother spider in ancient nature-based cultures spinning the webs of life—and thus to the interconnectivity of all of creation. The slightest of touches anywhere on the finely spun silken strands is felt throughout the entire web, and we learn that this is a metaphor—the smallest of any of our actions will reverberate throughout the entirety of all that is.

Visit her website: barbarabrownart.com

Rick Cotter

White Lotus in Full Bloom Against Emerald Shadows, photography, 30" x 20"
White Lotus in Full Bloom Against Emerald Shadows, photography, 30″ x 20″

My gaze over the nearby pond was expressing itself in a new way. The Lotus had opened face and shining like the Sun. I composed and captured that single moment in time forever.

Visit his website: exodusphotography.com

Jennifer Lynne Roberts

Sediment and Sky Part I, Mixed media collage, on cradled wood panel, 18" x 24"
Sediment and Sky Part I, Mixed media collage, on cradled wood panel, 18″ x 24″

This piece is inspired by the shifts and changes of earth and sky. Nothing is constant; it is unsettled and can feel tenuous. Using house paint, acrylics, and heavily layered papers, I wanted to capture the feeling of a restless geological stratification beneath turbulent, heavy skies. Inspired by my time in Santa Fe, I used a fiery palette and raw texture to evoke the visceral, elemental relationship between the vibrant sediment beneath us and the climate above.

Visit her website: jenniferlynneroberts.com

Jodie Brenner

Sakari, Watercolor-sealed and mounted on birch panel, 11" x 14" x1.5"
Sakari, watercolor, sealed and mounted on birch panel, 11″ x 14″ x1.5″

“Sakari” is part of my ongoing Wild Mare Series, she’s from the Little Book Cliffs Wild Horse Range in Grand Junction, Colorado. I’m inspired by the quiet strength, wisdom, and deep family bonds of these amazing mares. Many face displacement and loss through roundups that separate families. Through watercolor, I wish to bring awareness to what they endure. I want their presence to be felt and their stories remembered. Sakari represents resilience, sacred connection, and the healing power of horse.

Jodie as been inducted into our series of “World Changers”. Read the article about her.
Visit her website: jodiebrenner.com

Barbara L. Chapman

 As if in a Dream acrylic on stretched canvas , 18" x 36”.  
As if in a Dream, acrylic on stretched canvas, 18″ x 36”

The time that I spend with nature inspires as well as reinforcing a sense of connection to all of life and her mystery . One evening as I walked along a semi urban nature trail I came upon a sight of a beautiful tree and a soothing and enchanted light from the moon and I knew in that moment that I would paint the sight I saw that evening.

Visit her website: chapman-art.com

Mark Weller

A Brief History of Wind, Timestacking photography, 40" x 60"
A Brief History of Wind, Timestacking photography, 40″ x 60″

This photograph is not inspired by a single moment, but of time made visible. Created by stacking multiple exposures over several minutes, it reveals the secret choreography of wind as clouds are continually reshaped. What appears solid is in constant transition, reminding us that nature is never still and always evolving. The image invites you to slow down, look longer, and witness the quiet elegance of a sky that is forever progressing.

Visit his website: time-stacking.com

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Aaron Laux

Ancestral Migration, Cherry, walnut, weathered wood mosaic, soapstone, aluminum, paint. 41" x 48" x 3"
Ancestral Migration, cherry, walnut, weathered wood mosaic, soapstone, aluminum, paint. 41″ x 48″ x 3″

As carbon cycles from its geologic form, to the atmosphere, and into the bodies of all living organisms — this is the ancestral migration. This constant transformation, which literally makes life possible, reminds us of our interdependence with the entire living world.

Aaron has been inducted into our series of “World Changers”.Read the article about him.
Visit his website: aaronlauxdesign.com

Marina Syntelis

Out Of Chaos, oil on cotton, 27.5" x 19.7"
Out Of Chaos, oil on cotton, 27.5″ x 19.7″

“Out of Chaos” reflects my direct connection to nature’s raw forces. Observing the sea’s wild, undefined turbulence, I wanted to capture how nature can bring forth order and light. The light breaking through the clouds emerged unexpectedly as I painted, adding a different meaning to the painting. Working intuitively on my hand-prepared cotton canvas, I sought to express how unexpected light emerges from the storm to spark purpose, direction and hope.

Visit her website: marinasyntelis.com

Lis Zadravec

Rumspringa, colored pencil, 14" x 11"
Rumspringa, colored pencil, 14″ x 11″

Rumspringa literally means running around, which fox kits do a lot of. In Amish culture it is a tradition before making adult choices. I feel there is a discussion in the eyes of these two, which way to turn. In the end, they are going to grow up into foxes anyway.

Visit her website: liszadravec.com

Sandra Belitza-Vazquez

A View from Deer Park, photography, available in various sizes
A View from Deer Park, photography, available in various sizes

I visited Deer Park while on a photography tour of the Olympic Peninsula. Our small group arrived before sunrise, and we chose our spots to capture the rising sun and the glorious sky above the towns of Port Angeles and Sequim.

Visit her website: sbvaz.com

Frances Gunther

Monet's Garden, acrylic, 20" x 24"
Monet’s Garden, acrylic, 20″ x 24″

This painting was inspired by a trip to Giverny, France, home of Claude Monet. His land and home are just beautiful and visitors walk around the area, in awe of the flowers, lush trees, pond’s reflections and shrubs. Two people are standing on the bridge, overlooking this lush pond that echoes the foliage. It is a fall day and the weather is serene. I photographed this experience and from my photos, I painted the scene as I saw it.

Visit her website: frances-gunther.pixels.com

Charles N. Murphey

Desertwave to Tranquility, photography, pigment ink on fine art metallic paper, 40″ x 30″
Desertwave to Tranquility, photography, pigment ink on fine art metallic paper, 40″ x 30″

While on a photo shoot exploring slot canyons in Arizona, I came across this rock formation that immediately caught my interest for its curved textured walls along with hues of orange and lavender. It wasn’t until reviewing images just captured that I realized my subconscious attraction to the scene was due in large part to it closely resembling a cresting ocean wave. In this image, however, the wave happens to be in the desert southwest and is sculpted in rock!

Visit his website: artxus.com

Richard Freer

Richard Freer, Fairy Bridge in the Poisoned Glen, acrylic paint on paper, 23" x 16.5"
Fairy Bridge in the Poisoned Glen, acrylic paint on paper, 23″ x 16.5″

This is a painting of a stream that runs off the hills in the Poisoned Glen in Donegal, Ireland. I wanted to capture the wild beauty and atmosphere of where my partner comes from.  Editor’s note: Poisoned Glen likely gets its name from a simple translation error by English mapmakers who mistook the Irish word for heaven.

Visit his website: richardfreer.com

Alison Thomas

Winter Day, digital photography
Winter Day, digitally manipulated photography, 12″ x 18″

When it snows it is beautiful here. I live near large farms with lightly traveled gravel roads and when it snows that is where I go. It is quiet in the crisp cold and I love seeing and photographing the reflections on the snow from the sky and the trees.

Visit her website: serenityscenes.com

Sophia Boursot

Ecopaturage 2, charcoal on recycled paper, 8.27x11.69inches
Ecopaturage 2, charcoal on recycled paper, 8.27″ x 11.69″

A winemaker’s winter – with sheep in the vines on a frosty and misty morning. A scene near my home.

Visit her website: sbboursot.art

Tom Hessler

"Where the Path Leads Us" by Tom Hessler
Where the Path Leads Us, oil on canvas, 30″ x 40″

Nature feels inviting to me, and is where I feel a calm connection to my environment. A path always offers the possibility of adventure, and is also a metaphor for my life as an artist, exploring my own creative journey. I am inspired by the beauty of the nature that surrounds me, here in the wilderness of Northern California.

Visit his website: tomhesslergallery.com

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Karen H. Salup

Between Thought and Emotion, acrylic, 24" x 36
Between Thought and Emotion, acrylic, 24″ x 36″

Florida’s summer heat brings me thoughts that evoke a dream-like landscape of memory and emotion. Soft washes of blush pink, misty gray and warm earth tones create a delicate landscape while black gestural marks weave across the canvas.

Visit her website: karenhs.com

Andrea Landry

Winter Woodpile, acrylic, 8" x 10"
Winter Woodpile, acrylic, 8″ x 10″

We had a few days of lovely snow falling and then the brilliant sun lit it all up beautifully. I couldn’t resist painting a pile of wood in my backyard.

Visit her website: andrealynnlandry.com

Teri Leigh Teed

"Nantahala Sparkles"  is from my  “Eleanor’s Dream” series.  The photographs I create at night are special communications, and many contain symbols to help us remember that which has been hidden in plain sight for a long time. The images that emerge from the darkness contain symbols of Love, messages of Hope. The Universe is speaking with us constantly. If we pay attention and are open to the signs and cues, then we can join in the conversation."
Nantahala Sparkles, photography.

“Nantahala Sparkles”  is from my  “Eleanor’s Dream” series.  The photographs I create at night are special communications, and many contain symbols to help us remember that which has been hidden in plain sight for a long time. The images that emerge from the darkness contain symbols of Love, messages of Hope. The Universe is speaking with us constantly. If we pay attention and are open to the signs and cues, then we can join in the conversation.

Visit her website: terileighteed.com

Jonathan Douglas

Mt. Croghan Plein Air Study on a Rainy Day, oil, 11"x14"
Mt. Croghan Plein Air Study on a Rainy Day, oil, 11″ x 14″

This was painted on land that my great, great, great, grandfather helped clear to build a church he preached at.

Visit his website: jonathandouglasart.com

Michelene Tedeschi

Golden Stillness, acrylic, metallic acrylic and mixed media on canvas, 79.1" × 25.2"
Golden Stillness, acrylic, metallic acrylic and mixed media on canvas, 79.1″ × 25.2″

I am drawn to the quiet beauty of trees and the sense of stillness I feel when surrounded by nature. In this piece, I wanted to capture that peaceful atmosphere while using gold to bring warmth and light into the landscape. The bare trees represent strength and resilience, standing quietly through changing seasons. For me, the painting reflects the calm, beauty and sense of escape I find in the natural world.

Visit her website: maisonmstore.com

Jon Barlow Hudson

Jon Barlow Hudson, EIDOLON:NATURE, EIDOLON : NATURE, c 2023, stainless steel 27 ft. hi. x 16 ft. dia. black granite laser engraved formulas. Moraine Boulder, 12 ft. hi. x 21 tons. Installed before the Clippinger Chemistry Lab, Ohio University, Athens, OH.
Eidlon: Nature, c 2023, stainless steel 27 ft. high. x 16 ft. diameter. black granite laser engraved formulas. Moraine Boulder, 12 ft. high x 21 tons. Installed before the Clippinger Chemistry Lab, Ohio University, Athens, OH.

The sculpture I create is my attempt to give form to the concept of unity. I strive to convey the structures, principles, dynamic forces, vibration and the unity of all Nature, whether on the micro or macro scale. All creation emanated from the void, which I often include in my sculpture. In that void, in the center, there is energy, a vibration that is Life: gestating, developing, expanding, rotating and growing out into existence and form.

Visit his website: hudsonsculpture.art

Hiske Tas Bain

Force of nature, acrylic on canvas, 24" x 30"
Force of Nature, acrylic on canvas, 24″ x 30″

I painted “Force of Nature” as a reflection of the powerful energy I feel in the natural world. Nature is never still — it moves, changes, and transforms with a strength that feels both beautiful and untamed. In this painting, I wanted to express that vitality and remind myself of the quiet force that lives in flowers, weather, landscapes, and growth. For me, it is about the beauty of nature’s power and the inspiration it gives me.

Visit her website: hisketas-fineart.com

Anne Morrison Rabe

Azalea, photography, available in various sizes
Azalea, photography, available in various sizes

Nature is my inspiration and my studio. I am drawn to the quiet drama hidden within a flower — the way petals can resemble flowing fabric, sculpted forms, or even a figure in motion. By isolating the azalea against deep black, I aimed to transform something familiar into something mysterious and almost otherworldly. The layered petals, delicate stamens, and shifting shades of color suggest both fragility and strength, inviting the viewer to look beyond the flower itself.

Visit her website: annemorrisonrabe.photography

Bob Dooley

Waterfall, oil on panel, 12" x 12"
Waterfall, oil on panel, 12″ x 12″

My inspiration for the waterfall painting was the unusual way the water cascaded down the cliff. The water came down and hit ledges and then continued down to the pond. The vegetation on the wall was interesting as well. Also the reflections in the water also intrigued me. Water can be transparent, translucent, reflective, and refractive depending on your point of view.

Visit his website: bobdooleyart.com

Lori Horowitz

Piercing the Deep, mixed-media relief sculpture Patinated copper mesh and pipe, photo, aluminum, fiber and gauze, 40" x 40" x 8"
Piercing the Deep, mixed-media relief sculpture Patinated copper mesh and pipe, photography, aluminum, fiber and gauze, 40″ x 40″ x 8″

Created from images of live coral, Piercing the Deep reveals the vibrant movement of a complex aquatic ecosystem threatened by development and human intervention. Laminated photographs and diverse materials form sculptural organic shapes, merging nature with manufactured objects. Copper screen evokes the skeletal remains of dying coral, while the spiral symbolizes drilling and exploitation. As ocean-floor mining expands without meaningful environmental review or global standards, these irreplaceable ecosystems face even greater risk.

Visit her website: lorihorowitz.com

Peter N. Van Giesen

Hallelujah Morning, acrylic on canvas, 16" x 20"
Hallelujah Morning, acrylic on canvas, 16″ x 20″

Each morning I am renewed in my spirit by the rising sun and it’s luminous warmth. On this day the brilliance of yellow captured my senses and strengthen my resolve to face the tasks of the day with renewed vigor. Creating art, for me, is a mystical process, a spiritual work, and an exercise of creativity. I am drawn to the mystery that is implicit in the natural world.

Visit his website: peternvangiesen.com

Dick and Rosanne

Colorful Coleus, digital photography 43" x 57"
Colorful Coleus, digital photography, 43″ x 57″

This image is created from a beautiful coleus potted plant on our patio. The colors and textures are so striking they lend themselves to a deeper investigation. Through our process of mirroring, rotating, and layering, we uncover dimensions that aren’t always obvious in the original image. This transformation reveals the hidden architecture of nature – a kind of quiet, universe. It invites a slower gaze, a moment of reflection, a deeper breath.

Visit their website: dickandrosanne.com

Janice Phelps Williams

A Bright Sea, digital drawing (Procreate). 24 x 19 inches
Bright Beautiful World, digital drawing (Procreate), 19″ x 24″

Every line, shape, color, and shade originates in Nature. With no mechanical help or instruction Nature creates perfect symmetrical designs — her repetition visible in various forms — as well as wild, random shapes. I find inspirations everywhere — outdoors, in the sky, in the sea, and through telescopes and microscopes. One human can only touch the surface of all Nature offers, yet to try is to begin to understand a small portion of everything, and understanding leads to love.

Visit her website: janicephelpswilliams.com

Anke Frohlich

“Peaceful Passage”, photograph, can be printed in various sizes.
Peaceful Passage, photograph, available in various sizes

This Common Tern caught my attention as it moved peacefully just ahead of a massive, dark wave. The contrast between the bird’s delicate presence and the power of the ocean created a compelling sense of scale and tension, yet the tern never changed its pace. I was inspired to capture that fleeting balance—a small, graceful subject calmly moving through an immense and powerful landscape.

Visit her website: ankefrohlich.com

Carole Claude T.

Not So 'Wild' Life, mixed media, 8.27" x 11.69".
Not So ‘Wild’ Life, mixed media, 8.27″ x 11.69″

I was inspired to draw this interconnected scene, an octopus in the sky, a wolf, a parrot, a lizard on a rock, a giraffe, a kangaroo, under a shining yellow sun, because it feels true to our moment. These creatures don’t share a habitat, yet here they coexist, reminding me how deeply everything is linked. Bringing them together allowed me to imagine and hope for harmony in the fragmented world of humans on planet Earth – and greater protection of Wildlife.

Visit her website: caroleclaude.art

A. Debra Reich Schwalm

Poppies of Ephesus, watercolor batik on mulberry paper, 16" x 12"
Poppies of Ephesus, watercolor batik on mulberry paper, 16″ x 12″

This artwork was inspired by my Mediterranean Cruise which included Turkey. Tours of the ruins included many bright red poppies in the landscape.

Visit her website: debraschwalm.com

Luigi Di Mauro

Araucaria tree 01, 2026, acrylic on canvas, 34" x 24"
Araucaria Tree 01, 2026, acrylic on canvas, 34″ x 24″

The Araucaria Tree is a Brazilian pine and almost extinct. This painting is my way of drawing attention to nature conservation. It is from a project I began to highlight the importance of the environment, producing pieces with themes of nature preservation, especially of the Amazon rainforest.

Visit his website: luigidimauro.com.br

Renee Dumont

Peace Between The Petals, mixed media 30" x 40"
Peace Between The Petals, mixed media 30″ x 40″

Inspired by the quiet beauty of Mandevilla blooms climbing a trellis beside the water, Peace Between the Petals captures a moment when luminous light filters through the trees, dancing across petals and shimmering water. I wanted to convey the feeling of being immersed in that peaceful setting—where light, flowers, and water come together to invite stillness, reflection, and a renewed sense of wonder.

Visit her website: reneedumontdesigns.com

Judy Hatlen

A Tranquil Haven - Where Hummingbirds Play, digital, various sizes available
A Tranquil Haven – Where Hummingbirds Play, digital, various sizes available

I work in digital painting to render gardens, birds, and close-up flora. I’m drawn to small acts of attention—light on a petal, the pause of a hummingbird—and I present those moments with quiet clarity. My influences range from naturalists’ studies to contemporary colorists, and I care about making nature feel reachable. Through layered color, soft edges, and careful composition I reveal textures and rhythms that invite calm and remind viewers how close wonder can be right here now.

Visit her website: judysartco.com

Melody Locke

Lush Lilies, lumen, 20" x 16"
Lush Lilies, lumen, 20″ x 16″

All of my lumen prints are inspired by traces of nature left behind. I capture the dignity of what is fragile, overlooked, or disappearing. Lumen printing is a cameraless 19th-century photographic process that uses the sun and black-and-white photographic paper to create ethereal botanical prints. Lumen prints are made permanent with darkroom chemistry.

Visit her website: melodylocke.com

Steevie Jane Parks

Colorful Tapestry, acrylic, 30" x 30"
Colorful Tapestry, acrylic, 30″ x 30″

I started thinking about mountains, water and sky, and then sprayed water on the painting to produce long drips. The overall effect is supposed to be luminescent like nature during a sunset.

Visit her website: steeviejaneparks.com

Jenn Royster

Whispers Along the Water's Edge, Oil and cold wax, 30" x 24" x 1.5"
Whispers Along the Water’s Edge, oil and cold wax, 30″ x 24″ x 1.5″

Two egrets stood close together one evening, their long necks curved gently as if attuned to sounds on the breeze. I watch for moments like this often, egrets flaring pristine plumage against a fading sky, a quiet awe that feels both simple and profound. Built in layers of oil glaze and cold wax, the painting holds that soft, tactile glow. It is less a portrait of two birds than an invitation to pause and notice the beauty nearby.

Visit her website: jennroyster.art

Casey A. Hanson

Taking It In, photography, available in various sizes
Taking It In, photography, available in various sizes

It was the perfect morning on the beach at Pathfinder. The sound of the water, the sun was a warm welcome from a chilly morning and my husband was enjoying the moment, taking it all in.

Visit her website: caseyhansonart.com

Jeane Kat McGrail

Saffron Renewal: Restoration Spheres, photographic archival editioned print, 14.5" x 18.25"
Saffron Renewal: Restoration Spheres, photographic archival editioned print, 14.5″ x 18.25″

The sphere serves as my primary metaphor. Within its form, the rigid boundaries of nature dissolve, giving way to the unseen forces that bind us all: vibration, frequency, and connection. I seek to explore this transition of nature, capturing the invisible, the intangible, and the ethereal. The 4th dimensional spaces that emerge in my pieces are auras of energy, flowing through each form, guiding them in their motion, and ultimately becoming a symbol of love, unity, and the higher dimensions of existence.

Visit her website: jeanemcgrail.myportfolio.com

Shari Askow

Paradise Beyond, mosaic, 72”x 42”
Paradise Beyond, mosaic, 72”x 42”

After my son’s death, I used art to help me heal. This is where I imagined my son Scott living after leaving our world. Through my art, I honor his memory and aim to support others who struggle with depression, PTSD, and addiction. A portion of my proceeds will go toward organizations working in those spaces, because awareness is the first step to healing.

Visit her website: askooriginals.com

Jane Foley Ferraro

Fugitive Acrylic Painting 24" x 20"
Fugitive, acrylic, 24″ x 20″

As I painted I was inspired by the colors fading one into one another, much like daylight slowly giving way to evening. These seamless transitions suggest that life, like nature, is never static; every movement, every season, naturally transforms into the next. It is this impermanence which defines the human and natural world.

Visit her website: janefoleyferraro.com

Virginia Primozic

National Velvet, paper on canvas, 28" x 22"
National Velvet, paper on canvas, 28″ x 22″

The American bison is both iconic and sacred, symbolizing strength, power, resilience, and survival. The creature’s massive bulk is its own unique beauty. A photographer friend, with access to a bison preserve in Oklahoma, graciously gave me permission to use his photograph as a source. I zoomed in for this intense closeup, in which the small shape of another bison is reflected in the eye of the subject.

Visit her website: virginiaprimozic.com

Tommy B. McDonell

Rushing, alcohol ink and mixed media, 6" x 15"
Rushing, alcohol ink and mixed media, 6″ x 15″

I love the world, and not just one area. One of my biggest fears is global warming. I think it’s important to educate our citizens about the dangers of greenhouse gasses as well as the concentration of carbon dioxide which makes all of us vulnerable to rising waters. At one point, the melting of ice will affect each and every one of us. My greatest wish is for our country to work with others to reverse these trends.

Visit her website: leap4artnyc.com

Gail Bach

Coral Leaf Bathing, watercolor and acrylic on wood panel, 12" x 14"
Coral Leaf Bathing, watercolor and acrylic on wood panel, 12″ x 14″

This painting is from my new work about Leaf Bathing, a subset of Forest Bathing, inspired by the Japanese idea of immersion in Nature and helping ourselves, physically, mentally and emotionally–reconnecting with our breath and forest/leaf energy.

Visit her website: gailbachart.com

Joice Gabriela

Blue Cluster, mixed media on canvas: glass, epoxy resin, mineral pigments, and sculptural compounds, 24" × 24"
Blue Cluster, mixed media on canvas: glass, epoxy resin, mineral pigments, and sculptural compounds, 24″ × 24″

I created Blue Cluster by observing how minerals, crystals, and geological formations emerge through pressure, accumulation, and time. The layered glass, resin, and mineral pigments suggest a living formation suspended between the depths of the ocean and the interior of the earth. I am drawn to blue as a color of water, distance, and restoration. The work reflects my belief that transformation can produce both strength and unexpected beauty.

Visit her website: joyart.us

Jane Palliser

The Nursery. Gouache Mix media. 18x 24
The Nursery, gouache and mixed media, 18″ x 24″

Fascinated by the nursing log laying bare on the forest floor and the metaphor of life and death , one begets the other. In death the decomposing log provides a fertile sanctuary for new growth creatively rooting itself in unexpected places planting a new forest floor.

Visit her website: lifespiritart.ca

Kristine Morris

Agate Dance, soft pastel on paper, 18" x 24"
Agate Dance, soft pastel on paper, 18″ x 24″

I was inspired by the luminous colors and forms in agate, and this composite of several was created intuitively, flowing without effort.

Visit her website: kristinemorrisfineart.com

Corina Ioana

Love Is In The Air, acrylic and mixed media on canvas, 40" x 30"
Love Is In The Air, acrylic and mixed media on canvas, 40″ x 30″

“Love Is in the Air” draws inspiration from the quiet poetry of flowering trees, where light filters through delicate blossoms and nature reveals both strength and tenderness. The textured trunk symbolizes resilience, while the luminous canopy celebrates renewal, connection, and hope. Rather than depicting a specific place, the painting evokes the emotional landscape of spring—those fleeting moments when nature reminds us that beauty, love, and transformation are always returning.

Visit her website: corinafoto.com

Annie Shaver-Crandell

Ohio Cornfield, watercolor, 7" x 19"
Ohio Cornfield, watercolor, 7″ x 19″

Although a confirmed city girl now, I grew up in Ohio, where the sight of wide expanses of turbulent summer skies above flat acreage of tasseled corn was a common one. On a recent visit, I was struck by the openness of this field of standing summer corn, the vastness of the sky and the intensity of blues and greens in full summer heat. Watercolor is the perfect medium in which to express my appreciation of this cultivated nature.

Visit her website: annieshavercrandell.com

Mila Ryk

The Secret Garden at the Sunrise. oil on canvas. 24" x 18"
The Secret Garden at the Sunrise. oil on canvas. 24″ x 18″

“The Secret Garden at the Sunrise” is inspired by my deep love for life, nature, and the human spirit. The three female figures blend together into a single, blooming organism. Two figures form a standing tree with flowers and leaves, while the third sits peacefully on the ground. Together, they shine in the morning light, radiating the beautiful, healing power of nature and celebrating our connection to the earth.

Visit her website: milaryk.com

Maureen McCabe

Solar Eclipse, acrylic on panels, 6" x 18"
Solar Eclipse, acrylic on panels, 6″ x 18″

In my series “Sky Touches Ground,” I explore the dynamic exchange between atmosphere and terrain. “Solar Eclipse” draws on close observation of nature, using layered textures and luminous color to evoke the radiance of an eclipse and the sky’s continual motion.

Visit her website: maureenmccabe.art

Tracy Ellyn

Double Photography Nature 1, Photography, dimensions as ordered
Double Photography Nature 1, photography, available to order in different sizes

The Surrealists of the 1920s used double photography, long before computers or Photoshop, in order to create the impossible, the dreamlike, the texture and playfulness. I am from the old school of handmade photography, no photoshop, naturally layered. On a playful couple of days, I photographed a rock garden, and some plants I loved. The outcome of the double layered photography was a joyful, impossible fantasy-scape series of nature seemingly made of rocks. A spontaneous fantasy, just as art should be.

Visit her website: tracyellyn-recentworks.com

Jay Walmsley

Ammonites, Batik on Cotton, 18”x24”
Ammonites, batik on cotton, 18 ” x 24”

In the natural world, we see many repeating patterns. One is the Fibonacci spiral, which approximates the golden ratio, creating structures that appear balanced and visually appealing while being ecologically resource-efficient. While researching this, I came across photographs of ammonite fossils. Their appeal was immediate, with amazing crystalline structures formed within the original spirals. I have tried to capture their inherent movement and balance, and the wonderful colour variations.

Visit her website: jaywalmsley.com

Robbie Lasky

Pomegranate Party, mixed media, 24 x 18 x 1.5
Pomegranate Party, mixed media, 24″ x 18″ x 1.5″

Inspired by the rich color and symbolism of pomegranates, “Pomegranate Party” celebrates abundance, renewal, and the joy that creative expression can bring during difficult times.

Visit her website: robbielasky.com

Asami Green

Radiating Consciousness, mixedmedia with crystals, 40" x 30"
Radiating Consciousness, mixed media with crystals, 40″ x 30″

“Radiating Consciousness” is inspired by the flow of nature and the timeless beauty of the Tree of Life. A tree reminds us that we are always growing and evolving. The infused vibrant crystals mimic flowing organic forms to celebrate the light that shines through every season of life. Rooted in the earth and reaching toward infinite possibility, this tree invites us to embrace change, honor our journey, and radiate the unique light that lives within each of us.

Visit her website: asamigreen.com

Noreen Norton

Elemental Dialog, acrylic, 20" x 20"
Elemental Dialog, acrylic, 20″ x 20″

On a trip to Door County, on the coast of Lake Michigan, I became fascinated by the interplay of the rocks, the waves and the wind. It was like they were moving in motion with each other, in a dialog of sorts. The rocks were the foundation, the wind provided power and the water was a gentle participant. It was this experience that Elemental Dialog seeks to bring to life.

Visit her website: noreennorton.com

Sujata Tibrewala

The Fire, acrylic on canvas, 16" x 20"
The Fire, acrylic on canvas, 16″ x 20″

The fire within is taking an avatar without… I am an eco-feminist artist, teaching artist, and community leader whose work explores cycles of oppression, ecology, and spirituality.

Visit her website: sujatapratibimba.com

Kat Cramer

Into the Woods, acrylic on canvas, 16” x 12”
Into the Woods, acrylic on canvas, 16” x 12”

I thoroughly enjoy wandering the woods. Curiosity to see what is beyond the dangling grapevines peeks my interest. Inspired by the opening where animals likely have formed a path…I look deep into the woods and wonder what is over there where the light streams in? Nature is my inspiration as it brings me curiosity to explore, peace and spiritual energy.

Visit her website: katcramer.artstorefronts.com

Mell Erickson

We Come in All Shapes and Sizes, acrylic on canvas, 30" x 30"
We Come in All Shapes and Sizes, acrylic on canvas, 30″ x 30″

Growing up in California’s San Benancio Valley, I developed an early appreciation for nature through long walks among fields of wild poppies and lupines. Being outdoors was my happy place; my safe place. These formative experiences inform my work. Here, in a tangle of wild growth, we find purple foxgloves and pink lupines, white daisies and orange posies, all in different sizes. All our different shapes and sizes are beautiful together when we allow ourselves to see them!

Visit his website: melericksonfineart.com

Merna Hargrove

Two Sweet, textured acrylic on canvas, 40" x 30"
Two Sweet, textured acrylic on canvas, 40″ x 30″

I was inspired to paint “Two Sweet” when I visited my daughter in New Jersey and she took me to a place where they grow plants and flowers. It was so beautiful and it just stayed in my mind. The beauty of red flowers.

Visit her website: mernahargrove.com

Julia Kohane

After the Storm, Hybrid analog-digital collage; archival print on aluminum, 26" x 14". Edition of 10.
After the Storm, Hybrid analog-digital collage; archival print on aluminum, 26″ x 14″. Edition of 10.

After the Storm was inspired by the transformation of a landscape in the aftermath of a natural disaster and by the unexpected ways life can reemerge. I was drawn to the contrast between fractured, barren terrain and flowers appearing within it, and to the idea that something beautiful can emerge from loss and destruction. The work reflects on the vulnerability of the natural world and its capacity for resilience, renewal, and regeneration even after profound change.

Visit her website: juliakohane.com (Please note: her website will be live later today)



Nature-Inspired Art by A Few Legendary Artists

Odilon Redon

Reflection (sometimes referred to as "Dream") by Odilon Redon in the style of Symbolism, pastel on paper. Photo: Public Domain.
Reflection (sometimes referred to as “Dream”), pastel on paper. Photo: Public Domain.

The artist submits from day to day to the fatal rhythm of the impulses of the universal world which encloses him, continual centre of sensations, always pliant, hypnotized by the marvels of nature which he loves, he scrutinizes. His eyes, like his soul, are in perpetual communion with the most fortuitous of phenomena.

Georgia O’Keeffe

Georgia O'Keeffe, Red Canna, oil, created in 1919, Current location: High Museum of Art, Atlanta. Public domain in the U.S..
Georgia O’Keeffe, Red Canna, oil, created in 1919, Current location: High Museum of Art, Atlanta. Public domain in the U.S.

When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not.

Claude Monet

The Three Trees, Autumn, painting by Claude Monet
Claude Monet, Poplars, Autumn, oil on canvas, 36.2″ x 28.7″. Created in 1891. Public domain in the U.S.

For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life, the air and the light, which vary continually for me, it is only the surrounding atmosphere that gives subjects their true value.

Vincent van Gogh

Garden with Flowers, oil on canvas, 91 x 72 cm, by Vincent van Gogh. Created in 1888; Arles, Bouches-du-Rhône, France. Photo: Public Domain.
Garden with Flowers, oil on canvas, 36″ x 28″. Created in 1888; Arles, Bouches-du-Rhône, France. Photo: Public Domain.

“…and then, I have nature and art and poetry, and if that is not enough, what is enough?

For More Nature Art & Quotes
Visit this Page: “Famous Inspirational Quotes About Nature”



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About Renee Phillips

Renée Phillips founded The Healing Power of ART & ARTISTS in 2015. She is founder and director of Manhattan Arts International www.ManhattanArts.com, where she maintains an online art gallery. She also helps artists achieve their fullest potential with articles and writing services at Renee-Phillips.com.

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